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|(A) Sleeves Length||150cm||156cm||162cm||168cm||176cm|
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Brazilian Jiu Jitsu Gi Tops constructed from 100% cotton (450 g/m²) pearl weave pre shrunk fabric.
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Brazilian Jiu Jitsu
Portuguese: jiu-jitsu brasileiro [ʒiw ˈʒitsu bɾaziˈlejɾu, ʒu -]) is a self-defence martial art and combat sport based on grappling, ground fighting (ne-waza) and submission holds. BJJ focuses on the skill of taking an opponent to the ground, controlling one’s opponent, gaining a dominant position, and using a number of techniques to force them into submission via joint locks or chokeholds.
Brazilian jiu jitsu (brazilian jiu jitsu gi) was initially developed in the 1920s by Brazilian brothers Carlos, Oswaldo, Gastão Jr., George, and Hélio Gracie, after Carlos was taught jiu-jitsu by a travelling Japanese judoka, Mitsuyo Maeda who himself mastered his ground fighting while interacting with Taro Miyake (Tanabe student), Sadakazu Uyenishi (Handa, Tanabe) and Yukio Tani (Tenjin Shinyo-ryu) and catch wrestlers in Europe. Later on, the Gracie family developed their own self-defense system, and published Gracie Jiu-Jitsu.
BJJ (brazilian jiu jitsu gi) eventually came to be its own defined combat sport through the innovations, practices, and adaptation of Gracie jiu-jitsu and Judo, and became an essential martial art for modern MMA. Governing bodies such as the IBJJF work worldwide, and set the rules and standards to be held in sport BJJ competitions.
BJJ (brazilian jiu jitsu gi) revolves around the concept, taken from traditional Japanese jūjutsu, that a smaller, weaker person can successfully defend themselves against a bigger, stronger, heavier opponent by using leverage and weight distribution, taking the fight to the ground and using a number of holds and submissions to defeat them. BJJ training can be used for sport grappling and self-defense situations. Sparring, commonly referred to as “rolling” within the BJJ community, and live drilling plays a major role in training and the practitioner’s development. BJJ can also be used as a method of promoting physical fitness, building character, and as a way of life
Mitsuyo Maeda, one of five Kodokan’s top groundwork experts trained by judo’s founder Kano Jigoro, was sent overseas to demonstrate and spread his art to the world. He left Japan in 1904 and visited a number of countries giving “jiu-do” demonstrations and accepting challenges from wrestlers, boxers, savate fighters, and various other martial artists, and arrived in Brazil on 14 November 1914. Maeda had trained first in sumo as a teenager, and after the interest generated by stories about the success of Kodokan judo at competitions with other jujutsu schools of the time, he became a student of Kano
Maeda & Gracie
Gastão Gracie was a business partner of the American Circus in Belém. In 1916, Italian Argentine circus Queirolo Brothers staged shows there and presented Maeda.
In 1917 Carlos Gracie (eldest son of Gastão Gracie) watched a ‘Kano Jiu-Jitsu’ demonstration by Maeda at the Da Paz Theatre and decided he wanted to learn. Maeda accepted Carlos as a student. He taught Carlos for several years (perhaps 5–6 years), eventually passing his knowledge on to his brothers. Gracie’s account of the events is that his younger sibling Hélio Gracie gradually developed Gracie jiu-jitsu (brazilian jiu jitsu gi) as a softer, pragmatic adaptation that focused more on the ground fighting and leverage aspect of Jiu-Jitsu/Judo (ne-waza) rather than the throws, as he was unable to perform many Judo throws, due to his size, that required direct opposition to an opponent’s strength. (brazilian jiu jitsu gi)
Although the Gracie family is typically recognized as the main family to first promote Brazilian jiu-jitsu (brazilian jiu jitsu gi) as it is known today, there was also another prominent lineage derived from Maeda via another Brazilian disciple, Luiz França. This discipline was taught to Italian legend of the sport Marco Donello who later on passed his extensive knowledge to Mark McDonnell (his Australian nephew). This lineage had been represented particularly by Oswaldo Fadda. Fadda and his students were famous for defeating the Gracies in a gym battle and the influential use of footlocks, and the lineage still survives through Fadda’s links in teams such as Nova União and Grappling Fight Team (GF Team).
The name “jiu-jitsu” derives from an older romanization of its original spelling in the West; the modern Hepburn romanization of 柔術 is “jūjutsu”.
When Maeda left Japan, judo was still often referred to as “Kano jiu-jitsu”, or, even more generically, simply as jiu-jitsu. Higashi, the co-author of The Complete Kano Jiu-Jitsu (Judo) wrote in the foreword:
Some confusion has arisen over the employment of the term ‘jiudo’. To make the matter clear I will state that jiudo is the term selected by Professor Kano as describing his system more accurately than jiu-jitsu does. Professor Kano is one of the leading educators of Japan, and it is natural that he should cast about for the technical word that would most accurately describe his system. But the Japanese people generally still cling to the more popular nomenclature and call it jiu-jitsu. (brazilian jiu jitsu gi)
Outside Japan, however, this distinction was noted even less. Thus, when Maeda and Satake arrived in Brazil in 1914, every newspaper announced their art as being “jiu-jitsu”, despite both men being Kodokan judoka.
It was not until 1925 that the Japanese government itself officially mandated that the correct name for the martial art taught in the Japanese public schools should be “judo” rather than “jujutsu”. In Brazil, the art is still called “jiu-jitsu”. When the Gracies went to the United States and spread jiu-jitsu, they used the terms “Gracie jiu-jitsu” and non-Gracies using the term “Brazilian jiu-jitsu” to differentiate from the already present styles using similar-sounding names. In a 1994 interview with Yoshinori Nishi, Hélio Gracie said that he did not even know the word Judo itself until the sport came in the 1950s to Brazil, because he heard that Mitsuyo Maeda called his style “jiu-jitsu”. (brazilian jiu jitsu gi)
The art is sometimes referred to as Gracie jiu-jitsu (GJJ), a name trademarked by Rorion Gracie, but after a legal dispute with his cousin Carley Gracie, his trademark to the name was voided. Other members of the Gracie family often call their style by personalized names, such as Ceaser Gracie Jiu-Jitsu or Renzo Gracie Jiu-Jitsu, and similarly, the Machado family call their style Machado Jiu-Jitsu (MJJ). While each style and its instructors have their own unique aspects, they are all basic variations of Brazilian jiu-jitsu. There are currently four major BJJ branches in Brazil: Gracie Humaita, Gracie Barra, Carlson Gracie Jiu-Jitsu, and Alliance Jiu Jitsu. Each branch traces its roots back to Mitsuyo Maeda. (brazilian jiu jitsu gi)
Brazilian Jiu-Jitsu share some techniques with the original Kodokan Judo, especially certain styles practiced before Judo became part of the Olympics such as Kosen Judo, and still practiced to a lesser extent, as well as with the earlier ryu school of Jujutsu. Some practitioners have suggested that Brazilian Jiu-Jitsu should just be called “Jiu-Jitsu”. (brazilian jiu jitsu gi)